The monograph is an in-depth study of the diverse forms of traditional embroidery in Uzbekistan, examining the local variations in ornamental styles. The primary focus is on unraveling the meaning behind the compositions and patterns, seeking to decipher the "cultural texts" hidden beneath the layers of time.
Throughout the study, the author attempts to reveal the semantic significance of the decorative elements, while also acknowledging changes in interpretation and meaning over time. The connection between embroidery and the cultural and religious beliefs prevalent at various stages in society's development is explored.
Special attention is given to the artistic uniqueness of embroideries from settled agricultural centers, as well as those produced by semi-nomadic tribes. The role of embroidery in ritual practices is discussed, and the issue of artistic parallels with foreign cultures is briefly touched upon.. The book is intended for scholars in the fields of art history, history, ethnography, and cultural studies, as well as for a broader audience interested in the artistic heritage of Uzbekistan.