The book was written over several years, with Fazil Najafov directly involved in its creation. It includes his memoirs, reflections, and descriptions of sculptures, which are as imaginative and poetic as it is possible to express something that is inexpressible.
The curatorial texts are an example of successful work with the archive, including all drafts, drawings, and catalogues, which require human interpretation. They are also an example of work with memory, as Maria Filatova interviewed the artist extensively in his studio and country home.
The first chapters of the book focus on the origins of sculpture, starting with the image. The image is formed from the impressions that the artist has collected throughout his life, similar to how a bee collects nectar to make honey. "Fazil's images are given to him by his homeland: Baku, Absheron, the mountains, the sea, sand, and wind," writes Maria.